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"How many squats/lunges can you do before you want to die?" |
Two common themes throughout the scholarship on pain are invisibility and un-shareability. The first, invisibility, refers to the idea that the pain of another is, in principle, inaccessible. The second, unshareability, refers to the challenges involved in expressing pain - bringing it out of concealment so that it might be accessed. These two themes are linked, and they create a lacuna, a lack of vocabulary with which to express and understand how chronic pain feels, what it does, and how it changes people’s lives.
Medical paradigms and their associated technologies play a massive role in this perennial problem. Thus, these are examples of pathocentric epistemic injustice: injustices that are sustained by dominant medical systems and the theoretical conceptions of health that underpin them. Biomedical approaches to chronic pain mobilize a specific theoretical understanding of pain, and these understandings shape who is thought to be a credible speaker and what forms of expression and speech are intelligible. According to this framework, conceptions of health themselves can be unjust.
While the field of pain studies has made progress in complicating narrow biomedical explanations of pain, as Patsavas (2014) notes, these communicative norms have yet to find their way into popular understandings of pain. For example, adjectives found on the McGill pain questionnaire, the most frequently used questionnaire for the multidimensional assessment of pain, have crept into the common lexicon. We may ask our friends to describe their pain with these familiar qualifiers, such as burning-, tingling-, or shooting-. We might also ask our friends to rate their pain on a scale of zero to ten, drawing on the Visual Analogue Scale used by medical professionals.
But what if the person experiencing pain wants to describe their pain as a wave or a colour? What if I want to express my pain by making a long, guttural sound? In her creative non-fiction titled “The Pain Scale”, Eula Bliss reflects, “Although the distance between one and two is finite, it contains infinite fractions”. When patients are unable to express more than pain intensity, this may lead to guilt, shame, and alienation, all of which should be understood as affective determinants of health. That is, these emotional experiences can make one’s pain worse. Pain relief comes not only in the form of excising pain (should this be possible) but also in understanding it. There is thus a pressing need to carefully consider how we might expand, invent, and promote new modes of creative expression.
Field notes that capture participants' emphasis on laughter and play |